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Recording Performances
Making recordings can be a complicated process as there are several potential owners or entities with rights to consider. Recording for educational purposesEducational purposes are activities related to a particular course of instruction or course of study at Monash, including any administration and assessment for teaching. It does not include commercial activities and commercial research. The School of Music provides for recordings to be made of Masters Recital Performances as part of their submission process, but only once clearances for the works and all the performers have been provided. Recordings for any other School activities must be applied for through an application procedure - contact the School of Music Facilities Manager . If the School has given approval to record and if the musical works are out of copyright, there are no restrictions on recording those works. However, a new arrangement of an old work will be in copyright. Refer to the duration of copyright chart. If the School or unit in charge of the event has given approval to record and if the musical works are in copyright, the Music Licence allows for works that are in the licence repertoire to be recorded for a university event with an audience such as a graduation, a free concert, a presentation or exam recital. However, these events must not attract an entry fee and, once again, performers clearances must be obtained. There are labelling requirements and a copyright warning notice that must also be included once a recording has been made. Access to these recordings is also restricted to students and staff of Monash University or their immediate family for private and domestic listening or viewing. Students cannot use these recordings for their portfolios.
The School of Music allows recordings of exam recitals to be made under the conditions that it sets out in their exam information and those of the Music Licence. These details are provided to all music students prior to exams and can also be found in the School of Music Facility Procedures document. Contact the School of Music Facilities Manager for further information. Recording a non-university event/performanceApproval to make a recording must be first obtained from, or negotiated with, the entity putting on the event or the venue itself. Performers also have part ownership rights of a recording with the person who owns the recording medium (ie the master copy), so their permission must also be obtained or negotiated. Both these permissions may include restrictions on the use of the recording. If you are the performer and someone wants to make a recording of your performance, you have the right to refuse to be recorded, unless you have transferred that right to someone else, such as the ensemble director. You or the ensemble director and/or the other performers will also need an agreement in place with the person/entity making the recording to establish ownership of the recording. That agreement should include what the recording is going to be used for, eg broadcast, used in a portfolio or sold at an event. If you want to record your performance for private use such as a portfolio, you will need to obtain permission from the ensemble director and/or the other members of the group. Given the above approvals to make a recording and if the musical works are out of copyright, there are no other restrictions on recording those works. However, a new arrangement of an old work will be in copyright. See duration of copyright protection If the works are in copyright, then an application for an Audio Manufacturer's licence from APRA/AMCOS is also required to make an audio recording.. Audio, Video, Film and PhotographyThe same requirements for approval apply to making video (or film) recordings or A/V recordings that apply to making audio recordings. Taking photographs of other people requires permission from those being photographed as a matter of privacy. The School of Music provides clearance forms for agreement to photographs being taken. Contact the School of Music Facilities Manager Ownership of RecordingsPerformers have part ownership rights in a sound recording of a live performance, with the person who owns the recording medium (eg the master copy). This does not apply where:
See Australian Copyright Council Information Sheet G22 Performers' Rights Refer also toSend an email inquiry to the University's Copyright Adviser. |